AfricanAmericanSpirituals.com
Your On-Line Source for Negro Spirituals
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SPIRITUALS IN ZION
A SPIRITUAL HERITAGE FOR THE SOUL (Con't from page 1)
| This performance of solo-unaccompanied Negro Spirituals is
presented in a very unique form that will add greatly to its enjoyment.
Moses, with his rich voice, has carefully performed these songs with natural
interpretation and precision, which adds much to the simple but beautiful
and rich melodies of the African-American culture. One can hear an effective
use of a wide vocal range, good diction, precise rhythm and beautiful
dynamics.
Anyone who has the desire to sing the Negro Spirituals will find this recording a useful tool for learning. And for those who wish to listen to the music for the sake of satisfying the needs of the spirit and soul, these Negro Spirituals will be the "Balm in Gilead" that will make you whole. Of the many thousands of Spirituals that is said to exist within this vast body of African-American song literature only nineteen are recorded in this collection. Included here are spirituals that well represent three groups that are commonly use to catalogue these musical jewels. (1) The slow, sustained, long-phrase melody include songs, "Nobody knows de trouble I see," and "My Lord what a mourning," performed with great depths of understanding and feeling. The variations of the melody, the meditative mood and the occasional free rhythm bring out the beauty of the song. Added words and notes are used in certain phrases as a way of personal but effective interpretation. Successful execution of this performance practice is achieved only when the performer has true knowledge and understanding of the song(s). The Spiritual, "I’m trying to get ready," is performed with a steady beat which reminds one of listening to these people singing and stomping their feet on wooden floors of the old country church as they fervently worshipped and praised God. Listen for the sincere desire to "try on my long white robe". (2) The signal songs or "coded" spirituals are those with hidden or double meanings and oft-times coded messages. Such songs were used often among the slaves to signal or give warning to each other of some secret meeting, plan of escape or to avoid capture. Among these songs are, "And He never said a mumbelin’ word," "Go down Moses," "Oh Freedom," and "Steal Away to Jesus." (3) The "call and response chant" Spirituals with syncopated, segmented melody include, " I want to be ready; or, walk in Jerusalem just like John," " Ev'ry time I feel the spirit moving in my heart I will pray," and "A little more faith in Jesus." He creates a totally different mood with crisp rhythms, syncopation and dynamics, with this well-known call and response form. These lively performances bring out the joy in the singer’s heart and I am sure will be contagious. The Negro Spirituals are very unique to the American music culture and I thank people like Oral Moses who help to preserve this vital and significant music tradition. |
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Listen To Negro Spirituals On-Line |
AfricanAmericanSpirituals.com
Your On-Line Source for Negro Spirituals
Dr. Oral Moses
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